Evolutionary Endeavours...

Every so often, we stubble across a new designer that gets us very excited, and we want to work with them immediately! So today's graduate showcase is of Duncan of Jordanstone Textile graduate 

Claire Corstorphine.

Claire specialises in digitally printed textiles, which enables her to manipulate her photographs, and vintage finds to create an explosion of colour, and quirky imagery in her range of silk scarves.

For her graduate collection entitled 'Molluscs, Microbes and Mutants', she took inspiration from Darwin symbolism to create her own hybrid of the natural world. 

Although she presents a palette of bright zingy colours, on peeling back the layers of silk, a darker undertone of progressive natural selection is revealed, and her patterns show an abstraction of the core of life itself, fragility and strength seem then, to work in harmony...

Walk the Line...

We were contacted by the illustrator Estelle Morris last week, and from the many portfolios we receive, her fluid, off-beat and slightly abstract work caught our eye in particular.

There's a spontaneity to her pieces which grabs hold of real-life moments, and her blog showcases some of her as-they-happen drawings from walking around Cambridge, where she's based, to a Sunday afternoon at the pub.

Estelle uses a combination of hand-drawing and digital colour-blocking to create her collage-inspired pieces, which have a freshness mixed with modern-day motifs.

Estelle currently works as a freelance illustrator, and her work has been submitted as part of Amelia's Magazine, (a great supporter of emerging illustrators), as well as illustrations for events and promotions in London to Brighton.

We'll be launching our first newsletter in a couple of weeks time, and amongst all our up-coming news, we will have an extended feature on Estelle with an interview to find out a bit more about her, her inspirations, motivations, and plans for the future. This won't feature anywhere else, so if you want to find out more, simply hit subscribe...

On the Up...

 

We're excited to bring you an interview with talented designer and up-cycler Yinka Ilori, a recent graduate from London Metropolitan University who caught our eye a few months ago, and have been keeping an eye on ever since.

We were interested in his aesthetic approach to design, and how he has pretty much turned the idea of up-cycling on its head to create these rich, but simply crafted creations.

In the lead up to the African and African-Caribbean Design Diaspora in London, we managed to catch-up with Yinka to find out a bit more about him and his work...

Did you always know you would do something creative? 

Yes, I always knew that I would do something creative because when I was at secondary I was always good at drawing and really enjoyed Art GCSE and Design & Technology GCSE. I remember my teachers always telling me my work was good and always using my work, and homework book as an example to show the other pupils what their work should look like which was flattering, but at the sometimes embarrassing!

Did you have any early inspirations/ inspirational characters that informed your creative path? 

Yes, I remembered studying BTEC in Art and design studies at London Metropolitan University and we had an end of year exhibition. I had been setting up all day and had to go home and change my clothes. When I had arrived back I had noticed that I had been nominated for a Sir John Cass Art & Design Award, although I didn't win, for me, knowing that I had been nominated inspired and made me believe that I am doing something right.

What inspires you/ any particular places you draw inspiration from? 

What inspires me is everyday things in life, that have a story to tell and I try to incorporate that into my up-cycled furniture, because my ethos for up-cycling furniture is all about re-loving and telling the story of how the furniture was re-loved:) 

I am also really inspired by the African culture, as you may have noticed African prints from Ankara to Aso-oke are mainly used in most of my furniture. I also love old vintage Scandinavian furniture I think they are beautiful, and sometimes draw inspirations from there too. 

Currently, I am really inspired by MBE artist Yinka Shonibare, I think he is an amazing artist who curates moving, yet at the same time interesting installations. His installations are very powerful, with a strong meanings behind it, hence why he has inspired me to do an installation at this year's AACDD (The African and African-Caribbean Design Diaspora) Festival at the Bargehouse, Oxo Tower Wharf, London SE1

19 – 30 September 2012 my installation is titled 'Head of the House'. Hope to see some of you there:)

What first led you to working with old furniture as opposed to creating pieces from scratch? 

When I did a project at university called 'our chair' where we had to do a partnered project, and find two old chairs making it into one chair, using all the pieces from both chairs!

I absolutely loved that project, and it was from then onwards I knew that I wanted to make up-cycling my career because I loved the way each piece of furniture tells its own story, for me furniture with a story is beautiful.

What's been your biggest achievement to date?

Wow my biggest achievement to date would be exhibiting in New York in May 2012 at the International Contemporary Furniture Fair, and also selling one of my pieces of furniture to a High-end contract furniture company called 'D'Apostrophe'. 

It still feels nice to know that my piece of furniture is now somewhere in New York and will now become a story for someone else, now to tell! So yes, selling a piece of my furniture in New York has been my biggest achievement to date:)

What are your plans/ goals over the next 12 months? 

My plans and goals in the next few months would be hopefully to have a pop-up shop dedicated to my brand, not sure on location but that's something I would like to do over the next 12 months, who knows it may even be longer than 12 months.

What advise would you give to any new designer starting out on their own, or someone considering studying (furniture) design?

What I would advise any designer starting out on their own is to keep pushing because no one said that it's going to be easy, but the main thing is that if you enjoy what you do and your truly passionate about it, never keep up, because it's really important to do something that truly makes you happy, that's what got me here today:)

What's the ultimate dream?

My ultimate dream would be to have my own shop, with all my furniture inside it, and a few other designers works that I also like as well...

You can see Yinka's work at The African and African-Caribbean Design Diaspora Festival at the Bargehouse, Oxo Tower Wharf, London SE1 from 19 – 30 September 2012

Found Furniture...

In the last round of our graduate fave finds, we focus on furniture, and a few pieces in particular from New Designer Part 2. Universities from across the U.K pulled out all the stops to impress this year with large scale stands which transformed the white boxes into mini design showrooms...

One stand that stood out was from Northumbria University, showcasing a combination of small-scale products to impressive polished furniture offerings. You can often tell from a curated collection on display the passion that exists, not only of the individual designers, but that the course leaders and tutors give the well-needed support and key nurturing needed to succeed.

How can we gauge that from one stand you may ask, but trust us, when every designer is jostling for position, stepping your game up on all levels is so important, because after all it's not just an advert and opportunity for the designers, it's an advertising platform for the Universities too.

So starting with Northumbria, one of our top finds was by Chris Corkery and his perfectly balanced book storage unit. It's mini proportions and simple aesthetic teamed with the honesty of the material and detailing would look great in a student room or a city pad. 

Also from Northumbria is Natalie Hough, and in much the same way as Chris, her use of simple materials caught our eye. There were many stools on show in various guises, but what we loved about Natalie's was the subtle details, the finishing of the legs coming through the seat, and the mini softly formed shelf beneath added a homely quality. (Image from Claire Potter)

Last but definitely not least is Jade Moyse from Bucks New University. The stand was fun and bright, and with support from not only SCP but mid-century modern furniture company Ercol, the standard was high across the board.

Experimentation with timber as well as steel caught our initial attention, and Jade was on-hand to explain her pieces, and her drive and entrepreneurial spirit was evident from the start. She talked about researching manufacturers and finding the right market and price-points. We certainly don't expect her feet to touch the ground any time soon!

Some real gems...

As this year's degree shows come to an end, once again we have been bowled over by the variety of creative work and diverse and interesting collections that have caught our eye. We found some great talent, so here are a few of our show highlights from the class of 2012...

First up is a selection of stand-out sparkly bits from New Designer's Part One...

Natasha Thorogood has just graduated from Nottingham Trent University specialising in Decorative Arts. Her collection of organic rings drew us over to her stand like a couple of magpies! They have a painterly quality, almost Monet-esque, and the combination of aquamarine and ochre mixed with metallic accents of copper, silver and gold were perfection...

Beth Jones, a contemporary applied artist based in North Wales showed that jewellery can come from the simplest of forms. Under the name Mine is Thine, her combination of sculptural and wearable pieces explores domestic references, and experimenting with techniques like enamelling, maintains a minimal aesthetic...

Victoria Thay ticks all the boxes for our love of pretty much anything geometric and structured. Throw in a touch of gold and silver and quite frankly we'll want to buy it all! A graduate from Central St.Martins, her surroundings in the capital become the inspirational backdrop, but rather than take literal references, she has explored the architectural landscape and the skewed perspective of buildings you often see when moving around the city...

Amy Logan formed part of the showcase of designers in the 'One Year On' space and in complete contrast to the work by Victoria above, her current collection takes inspiration from the drawn line. The translation from paper and pen to crafted metalwork makes each piece unique with its hand-drawn to hand-made quality...

Nicola Crawford was also showcasing her latest collection as part of 'One Year On' which took inspiration from the nostalgic routes of letter-writing. She came across a letter in an antique shop penned during World War Two, and used this as her basis for her 'Lost Words' collection...

And finally, Mairi Burrow of Mustard & Peaches, produced a stand-out collection as part of the consistent high-quality that comes out of Duncan of Jordanstone at Dundee University. We were already familiar with Mustard & Peaches through our link with Vanilla Ink, and we were excited to not only see Mairi's collection, but to meet the lovely lady herself. Her thoughtful and considered approach to her work was stunning, and tapping into a subject matter such as Alzheimer's was inspiring and heart-felt...

Look out for our round-up of our top finds in textiles, print and ceramics in the next few days...

Stand out in the crowd...

Free Range 2012 at London's Truman Brewery is in full-swing, and as always, it kicked off with the best of graduate fashion.

Here are a few of our stand-out collections from the past couple of weeks...

Southampton Solent University

Agnese Dzene 'Russian Fairy Tale'

Ieva Poriete 'Restriction'

University of Plymouth - Somerset College

Jennifer Riley 'Structurally Romantic'

Holly Harmes 'Catalan Exposure'

Zeta Thorne 'Romanesque'

American InterContinental University London

Nazish Kalani

Mukungwe Leck 'In Transit'

Mukungwe Leck 'Utopia/Dystopia'

All images are courtesy of the Free Range 2012 Graduate Portfolios where these, and many more talented graduates work can be found in all art and design disciplines...

We'll be posting at various points over the next couple of months with a focus on more from Free Range, D&AD New Blood and New Designers, we can't wait to get out there scouting!

University Press...

A big thanks this week to Wolverhampton University for featuring our Pop-up exhibition on their blog, with a special mention to one of their alumni Kayleigh Hadley...

The University has posted about us before, so we are very flattered to have been included for a second time to celebrate the achievements of one of their former students, as well as the other designers involved.

The full article is available to view here

From blog to Plog...

In anticipation of the next issue of Plog Magazine, and our general excitement over being 'in print', we thought we would return the favour and find out a bit more about the publication, and its founder Son Emirali.

 

Still at University, amazingly, Son manages the design, marketing and distribution of Plog whilst studying Graphic Design at Winchester School of Art. And we complain about juggling our day jobs with running our own business, we cannot imagine trying to do something like this while studying for a degree!

We managed to catch Son briefly to answer of few questions about the magazine and his motivations after graduating...

What was your motivation for starting the magazine? Why now, why not wait until after graduating?

Well I started the mag in my first year at university, we were in the process of making a magazine cover for one of our briefs, throughout the project I was really getting into blogging and archiving all the students work that was inspiring me. I realised I didn't want this work to just sit in my bookmarks, I wanted to have a physical piece of it so I remembered it. I think that alone was the key motivation, to be surrounded and inspired by great work.

At the time, waiting until I graduated wasn't even something to consider. Being so passionate about others work I couldn't resist to start gathering it all, with the intention to inspire other students whilst we were actually studying, so we could feed of each others work.

  
What support did you get, if any with the initial set-up?

In terms of motivation to get the idea going, quite a bit. I got great support from the students I was selecting to feature, and a great deal from my tutor at the time, James Branch. He really helped to encourage me to follow through with the idea, and stressed how important side projects are.

When it comes to the technical stuff of printing, financing, websites and building a team - not much, just a few people to bounce ideas off were enough. It was mainly down to me to work out the kinks along the way. It was all pretty easy until issue 3 went nationwide, then it became a lot harder, finding a distributor and really stepping into the publishing industry.

  
Was there a quite a bit of research involved or was it something you felt passionate about and wanted to do regardless?

Initially, not much research involved at all. As I started the mag literally when I first stepped foot into uni, I still had a lot to learn about how to develop an idea, and how important research is. But I think this naivety and passion is what lead the magazine to take off so quickly, and for me to have so much determination to make it work.

Is this a collaborative effort? Friends, family or a solo project?

Indeed it is! Don't know where I would be without the rest of the team. Initially there were three of us, myself and two other friends, but as time went on it turned more solo until a few other friends of mine started to jump on board.

At the moment there's myself, Adam, who helps design and art direct the issue with me. Kieron, who takes charge of our online content, and Ben who helps go through all the submissions we receive. We all also do various other little jobs, as I'm sure you've guessed, we don't exactly have a marketing team, project manager or a PR assistant!

One thing we do have though are a lot of guest contributors which I'm happy to say are contributing well to the mag! We've recently had Anneka French and Nick Reading writing for us, as well as a whole batch of studio guest bloggers, students who blog about the live work going on in their studios.

Can you give us a sneak peek at what we can expect in the next issue?

In the next issue we've been lucky enough to have a bespoke cover designed exclusively for us by KOKOMI, directed by Spiros Halaris. Something that we think will really pop off the shelves. Look out for a little preview of that soon!

We've got valuable interviews from artists within the industry, and of course a great catch up with yourselves which I'm sure our readers will be excited to hear about. As usual you can expect to see a wide variety of student and graduate work, from thought provoking photography to witty illustrations.

Biggest achievement to date?

That's a hard one! I would say the magazine, but I still feel like we could and will achieve a whole lot more soon. So instead I think I'll go with persuading my parents to let me completely redecorate my room to then have three people throw paint balls all over it as part of an art project. And yes it's still like that to this day!

  

What's the future plan after graduating, will the magazine take centre stage or be a side project to your own creative endeavours?

Another hard question! I'm a bit unsure at the moment, I think if the magazine doesn't take centre stage, then it'll be a pretty darn big side project. It's hard to say as I've got such a passion for many areas, whether it's publishing, design, technology or even creating installations, who knows where I'll end up!

The next issue of Plog Magazine is out in June...

Pop-up People...

From the heart of Peckham in the last two weeks of April, we will be hosting a collaborated pop-up exhibition with design company TheHouseWith. We've been dropping hints about who, when and where, but since a meeting with THW last week, we now have our final six exhibitors decided upon.

We presented all designers who applied to be a part of the exhibition, and would like to thank everyone for their interest, but numbers had to be limited due to the space, and we hope you are as excited as we are to host these hugely talented bunch of new designers.

The event is to also coincide with our first year as Look Like Love, and the designers exhibiting are a true reflection of the journey we have had over the last 12 months, as some of the first designers that caught our eye during last years shows, and initial research.

Ok, so enough waffle...here are the six you will be able see next month, some of who you will be familiar with from our support and promotion, who we will be proudly representing in Peckham!

Ben Phe - Illustrator, newest edition to Look Like Love and member of Art School Disco...

Michael Carroll - Sustainable Furniture Designer who we got chatting with at New Designer's 2011 and soon to have pieces available through our shop...

Roisin Connolly - Jewellery Designer from Dundee who uses acid-etching to create her amazing pieces...

Sandy Powell - Textile Designer who works with felt and recycled leather and will add a bit of softness to proceedings...

Kayleigh Hadley - Lyric-inspired and movie-loving illustrator is currently experimenting with lino-prints for a new collection...

CM Carter - Illustrator and all-round doodler, our first blog post, so it would be rude not to include her, and her amazing caricatures into the mix...

We'll be posting more details about the designers, the work you can expect to see, and information about dates and opening times in the next few weeks...our first literal watch this space moment...we cannot wait!