Monday, 29 April 2013

Vogue Festival...


We always try and find inspiration wherever we go, so this weekend we headed to the rather glam Vogue Festival, this year hosted at the Southbank Centre in London. Our intention, to hear from one of the best designers from our very own shores, Paul Smith.

Not adversed to public speaking, the talk itself began with a snippet of creative advice, as many of the audience members were students. He spoke enthusiastically about inspiration, and how it can be found in anything and everything if you, '...look and see...'

Such simple advice, but with the sheer bombardment of images, sounds, sights and smells we are exposed to on a daily basis, it's easy to forget to take that important step back, edit, appreciate and feel genuinely inspired.

Picture Credit: Darren Gerrish

In conversation with Paul Smith was fashion favourite, Vogue contributing editor, (and cover girl) Alexa Chung. The chit-chat was light-hearted rather than a fact-finding interview, but the content was no less interesting for it. In fact their genuine rapport just added to the relaxed feel and flow as they conversed.

With a career that has spanned over 30 years, Paul Smith shows no sign of slowing down, as the passion for his craft still sees him at his desk at 6am everyday after an early morning swim. And he likes to keep things simple, no computer and no email, ('...just 145 assistants!') to keep him informed of what he needs to know.

Picture Credit: Darren Gerrish

A life-long photographer, it was amazing to discover he shoots all his own campaigns to this day. He could be perceived as a control freak with such a contribution, but he genuinely doesn't come across that way at all, it's all down to the love of it, the passion, and the fact that anything less than 100% just isn't enough. He also spoke candidly about the fact there are far too many designers out there these days, and it's about finding that point of difference, and striving to be at least one step ahead.

We left feeling that little bit more motivated, and more positive that as long as you have passion at the heart of your creative endeavours, anything is possible...

Tuesday, 9 April 2013

Milan via Africa...


Milan 2013 is upon us, the annual descent on the Italian city is in full swing, and as one of the most exciting showcases in the design calendar, we wanted to find out what first-time exhibitors thought about taking part, and the prospect of sitting alongside some of the world's biggest design hitters...


Set to take over flagship store La Rinascente, Afrofuture is a showcase of how Africa, the world's second largest continent, is exploring new frontiers through media, events and performance.

'Afrofuture shines a modern, pan-African light on what can, is and could happen in design in and beyond Africa...and to think big about how the rapidly emerging future will see mould-breaking designers coming from radical underground to the global mainstream.' says showcase developer and writer, Nana Ocran.


Yinka Illori is a relatively new furniture designer, but since graduating his feet haven't really touched the ground. We have known Yinka for about six months now, and in that time he has shown his work in New York, London and Frankfurt, but Milan is set to be a real highlight, and he's starting to feel the pressure being under such an international spotlight.


During the week-long programme of events, on Wednesday 10th April, Yinka will be presenting, 'The Art of Storytelling' a live up-cycling session using vintage European furniture, and upholstering the pieces in Nigerian fabrics, a signature of his, and an appropriate clash of cultures for the exhibition itself. We caught up with him about his imminent trip...

How did you get selected as an exhibitor?

"Being part of Afrofuture at the the La Rinascente all came about when Beatrice Galilee, the curator, contacted me via email. She came across my work on-line with an interview that I did with writer Stephanie Baptist a few months ago on the blog Another Africa.
I invited Beatrice and her assistant to my studio, and she really liked my previous work, and workshop proposal for Afrofuture. The invitation to be part of the exhibition came soon after. It was unbelievable, I never thought that this opportunity would happen so soon! I am really excited, and at the same time nervous...more excited now it's so soon though..."

What are you most looking forward to?

"I am really looking forward to my workshop...it's the first time for doing a workshop, let alone in Milan! It's a great opportunity for me to push myself and try something totally different. If it's successful, maybe it will be something I will consider doing in the future. It would a good opportunity to give people an insight into my thoughts when up-cycling, and how I use Nigerian parables to tell meaningful stories through my work..."

"...All the action of the workshop will be curated with a special Nigerian playlist I created, including legendary artists like Fela Kuti and King Sunny Ade. I grew up listening to this music, my parents always played it in the house...all of their music told stories and changed lives, and that's something that I've always wanted to emulate in my work. Being able to bring these two powerful elements together is going to be a phenomenal experience!"

Have you got any plans to visit any other shows?

"I will be there for three days so I will be trying my hardest to check out a lot of the designers and their shows/installations. I am most excited about seeing The Kane Kwei Carpentry Workshop, a studio established in Teshie, Ghana in the 1950s. It is known for its design coffins that became symbolic of African artistic creativity. It's also showcasing as part of Afrofuture, so something I am really looking forward to seeing..."

"...I also want to check out Lee Broom's crystal bulbs, I think they are amazing! And also Designersblock...so many exciting things to see, you should see my list, it's crazy!"